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henna body art kit michaels

zientek April 20, 2023 Comment

Limit one coupon per product. Limit one coupon of each type per day. Limited to stock on hand. Void where prohibited. Valid only in . EXCLUSIONS: Everyday Value program; clearance; buy & get items; custom framing; beverages & candy; books & magazines; gift cards; craft technology machines; Cricut, Silhouette. Exclusions subject to change. See Team Member for details.

Turn yourself into a work of art with Tulip Body Art. Easily create beautiful, intricate henna-inspired designs with the high-definition stencils included in this ultimate henna tattoo kit. Perfect for events or simply celebrating your personal style, self expression is fun and easy with Tulip Body Art. Kit includes black, white and brown tattoo paints with precision tips for free-hand application if desired, setting powder, an application brush and 8 high-definition sticky stencil sheets. Tattoos are long lasting with proper care.

How to apply: Clean and dry skin. Cut out desired stencil. Shake up tattoo paint well. Remove sticky stencil from backing and place on skin. Apply tattoo paint into stencil openings using application brush. Immediately remove stencil from skin. Wait 5 minutes for tattoo to dry. Sprinkle a small amount of setting powder onto tattoo and gently rub in.

Geometric Planet Fashion Women Temporary Tattoo Sticker Black Roses Snake Design Flower Arm Body Art Fake Tattoo Sticker Henna

Warnings: Do not use on broken or irritated skin. Do not use around the eyes. Not recommended to use on face. Do not ingest. If irritation occurs, discontinue use.

Most products may be shipped via standard ground (delivered in 3-5 business days) or Expedited (1 business day). Orders placed by 11:00 AM Central Time using the Expedited option will ship the same day. View Full Shipping Policy and Pricing ›

If your Michaels purchase does not meet your satisfaction, you may return it within two months (60 days) of purchase. To return an item, the item must be new, unused and in its original packaging. You may return the item to a Michaels store or by mail. Effective 11/27/2022 (or November 27, 2022) Clearance sales are considered final, sold AS IS and are not returnable for a refund or exchange. View Full Return Policy ›

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Rated 1 out of 5 by MaTwosey from Stencils aren’t stencils The sticker stencils aren’t actually cut out. You need to take an exacto and cut the intricate design. Takes forever and the stencil doesn’t stick well. I never got to the tattoo part. The stencils suck.

Rated 1 out of 5 by A Customer of Michaels from Not worth your money This item was terrible. The henna was just paint and the stencils didn’t let the paint go through all of the way, so after you went through the entire process the make the design, when you peeled the stencil off, there was barely anything there. Almost as if the whole thing was just done so you could trace over it with a better product. And it also caused mild skin irritation.

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Rated 5 out of 5 by Mickeymousee_traphousee from Can be tricky, but perf for making fake freckles!! Sooo, you have to use this just right or it won't work. Massage it, and spread it immediately!! Low key ive been using this to make freckles on my face and i get SO many compliments! Again you can't let it get to dry before applying or it totally won't work! I use a pencilto make a dot or two then use my finger to tap it and transfer more freckles around until it won't transfer anymore, then repeat!

Rated 1 out of 5 by MaMade5 from Not worth it This is a pretty bad product. It's easy enough to put on, but it comes off really fast. Definitely won't last 24 hours in the full pattern. The "setting powder" will clump up in certain spots. Easy to use, but embarrassing to wear.

Rated 1 out of 5 by Audreypainter from This didn’t work It’s a bad product. The stencils didn’t work. And the precision tool was nonexistent. I don’t recommend.

Ultimate Diy Henna Kit Makes Up To 20 Cones 100 Grams Henna

Rated 4 out of 5 by Haley1217 from Henna tattoo kit it was very good i just think it’s not fully permanent if you rub it with a bit of water it will come off like a temporary tattoo but that’s a good thing for me so i give it 4 stars

Rated 1 out of 5 by Audreypainter from This didn’t work It’s a bad product. The stencils didn’t work. And the precision tool was nonexistent. I don’t recommend.

Ultimate Diy Henna Kit Makes Up To 20 Cones 100 Grams Henna

body art alliance address hanover md 29425 chagrin definition

zientek April 20, 2023 Comment

Body art alliance wholesale hanover md 541 followers baa is a family of leading global brands that serve artists and customers in beauty tattoo body jewelry

Body art our baa brands provide innovative products for every aspect of the tattoo and body art process from pre procedure to post care offering solutions for business owners artists and enthusiasts alike

We are the body art alliance body art alliance is a family of leading global brands that serve artists and customers in the beauty cosmetic permanent makeup tattoo and body jewelry markets baa brings together world class creative and innovative minds to propel our trusted brands and their products to the next level so that our global

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Body art alliance overview body art alliance is a family of leading global brands that serve artists and customers in the beauty cosmetic permanent makeup tattoo and body jewelry markets baa brings together world class crea

Body art alliance barber shops beauty salons united states 25 employees four brands in the body art industry unite to maximize innovation and get quality products into the hands of artists and body art enthusiast expect cutting edge tattoo machines body jewelry inks and more tattoo supplies body art alliance read more contact

At the baa we believe that innovation has no boundaries we work to support our artists and their communities no matter where they are in the world our mission to advance the body art industry cannot be contained by borders through our collaborative network of artists and distributors baa brands and products touch artists in over 45

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Body art alliance 576 likes 12 talking about this the body art alliance is the forging of 4 leading brands in the body art sector made up of fk irons

About i oversee operations and work to maintain build and streamline processes at body art alliance as president and coo it s been a windy road to get here i earned my masters in

Job our organization is seeking a customer service representative to join our customer service team in this role you will assist call in customers with questions regarding orders placed delivery tracking billing inquiries assisting with compliments or complaints you will be the voice of the company ensuring the highest levels of customer

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Add benefits glassdoor gives you an inside look at what it s like to work at body art alliance including salaries reviews office photos and more this is the body art alliance company profile all content is posted anonymously by employees working at body art alliance argentina

Human resources manager at body art alliance the body art alliance baa is at the forefront of innovation creating the tools and products to better serve our artist from the first truly

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Industry leading brands at the forefront of innovation baa brands have made a name for themselves world wide by combining a passion for tradition and a dedication for innovation improving the lives of artists for over 25 years explore body art explore permanent makeup explore jewelry

Uncover why body art alliance is the best company for you hanover md easily apply 30 days ago view job category brand manager doral fl 100 000

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Painful pleasures is a distributor focused on the tattoo and body piercing industry since 1999 driven by the increasing adoption and social acceptance of tattoos and body art this industry is experiencing rapid growth painful pleasures is one of the largest and fastest growing players in the market

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Painful pleasures body art alliance is an equal opportunity employer all qualified applicants will receive consideration for employment without regard to race color religion sex national origin protected veteran status disability or any other basis protected by applicable law qualifications

Body art alliance is a family of leading global brands that serve artists and customers in the beauty cosmetic permanent makeup tattoo and body jewelry markets baa brings together world class creative and innovative minds to propel our trusted brands and their products to the next level so that our global broadline distribution

Painful pleasures 450 followers on linkedin part of body art alliance baa who design manufacture and market the widest variety of tattoo and piercing supplies founded in 1999 painfulpleasures began with the goal to provide the widest variety of tattoo supplies piercing supplies and body jewelry in the world since then the painfulpleasures brand and vision has expanded and come to

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body art slangily crossword clue

zientek April 19, 2023 Comment

Home run specialists slangily / THU 1-19-23 / Postseason game played in Phoenix / Party in a biblical swindle / Guru's honorific / Audibly blown away / Skilled climber in the logo of Italy's Gran Paradiso National Park / Candy originally marketed as a smoking cessation aid

THEME: RUN UP A TAB (36D: Accumulate charges ... or what you must do to answer four clues in this puzzle)— "TAB" "runs" "up" (i.e. heads north) in four answers containing the letter string "TAB" (the latter parts of the words (i.e., BOWL, BABY, BARS , and BROAD ) are all clued separately as well):

Word of the Day: ESAU(14A: Party in a biblical swindle) — Esauis the elder son of Isaacin the Hebrew Bible. He is mentioned in the Book of Genesisand by the prophets Obadiahand Malachi. The Christian New Testamentalludes to him in the Epistle to the Romansand in the Epistle to the Hebrews. [...] Esau, a "man of the field", became a hunterwho had "rough" qualities that distinguished him from his twin brother. Among these qualities were his redness and noticeable hairiness. Jacob was a plain or simple man, depending on the translation of the Hebrew word tam(which also means "relatively perfect man"). Jacob's color was not mentioned. Throughout Genesis, Esau is frequently shown as being supplanted by his younger twin, Jacob (Israel). [...] In Genesis 27:5–7, Rebekah is listening while Isaac speaks to his son Esau. When Esau goes to the field to hunt for venison to bring home, Rebekah says to her son Jacob, "Behold, I heard thy father speak to thy brother Esau, saying: 'Bring me venison and prepare a savoury food, that I may eat, and bless thee before the Lord before my death. ' " Rebekah then instructs Jacob in an elaborate deception through which Jacob pretends to be Esau, in order to steal from Esau his blessing from Isaac and his inheritance—which in theory Esau had already agreed to give to Jacob. Jacob follows through with the plan to steal his brother's birthright by bringing the meal his father Isaac requested and pretending to be Esau. Jacob pulled off his disguise by covering himself in hairy lamb skin so that when his blind father went to touch him, his smooth skin did not give him away as an imposter of his hairy brother. Jacob successfully received his father Isaac's blessing. As a result, Jacob became the spiritual leader of the family after Isaac's death and the heir of the promises of Abraham. (wikipedia)

Speaker In Cooperstown Crossword Clue Archives

The only problem with this one is that the more common variation of the revealer phrase is simply "RUN A TAB, " so the "UP" feels unnatural / forced to me. "RUN A TAB" googles way better, and most of the top hits for "RUN UP A TAB" are (surprise) now crossword answer-bot sites. But RUN UP A TAB is listed in idiom dictionaries as a variant, and it's certainly intelligible, so ... just roll with it, I guess.

The revealer may be wonky (to my ears, anyway), but the concept is fresh and fun to work out. I found it pretty easy to uncover, in that there was no way [Postseason game played in Phoenix] was gonna fit in five squares, no matter what the answer was, especially since the answer probably ended in BOWL. I realized quickly it was going to be FIESTA BOWL , and that only FIEST was going to fit, so I just wrote it in and waited to see what happened. Later on, another obvious non-fitter showed up ("SANTA BABY "), so now I was just on the hunt to see where the rest of the answers were going to pop up. Once I got BABY (23A: Pamper), I put two and two (TWOS !) together and figured out the "TAB" connection. The only bit of puzzlement I experienced after that came when (of course) I completely forgot about the theme and was wondering why WENT was an acceptable answer for (68A: Traveled to another country). "WENT!? That's awful. Just ... WENT!?" Well, no, not just WENT: WENT ABROAD . I think I only noticed that that was a themer much later, maybe after I was done, and I saw that the puzzle said that there were *four* TABs that had been run up, but I remembered only three. The cluing on the fill seemed reasonably tough, but for some reason it didn't hold me up much. It was a toughness I could see through without much struggle.

There was some stuff I didn't know (exactly) but could piece together. Never heard of [Kinderklaviers] but "kinder" means "children" in German and "klavier" is ... a keyboard instrument of some kind, right? (see Bach's "The Well-Tempered Clavier"), so with a few crosses, I could infer TOY PIANOS. Poker slang shmoker slang, "ducks" schmucks, no idea there, but TWOS was still relatively easy to pick up (7D: Ducks, in poker). Forgot Mr. Fonsi's first name, but had the "L" and after LEON proved impossible, LUIS just came to me (41A: "Despacito" singer Fonsi). Had the usual SODOI/SOAMI kealoa* hesitation down there in the SE. Would've struggled a lot with 53A: Want (DEARTH ) since the clue is so ambiguous, but I came at it from the back end, and even though coming at an answer from the back end *usually* makes it harder to see than coming at it from the front, in this case, that -TH was invaluable for ticking my brain over to the noun meaning of [Want]. Also, DEARTH is one of those words that lives in the Word Museum of my brain full time because I tried to be fancy and use it in a paper when I was fairly young, but I'd only ever *heard* it (thanks, mom), so I figured "mirth, " "girth, " ... DIRTH. My teacher at the time was like "uh ... nice word ... but no." I had a similar school-related fiasco in the other direction once—had only *seen* the word "episcopal" and in U.S. History I was called upon to read a passage containing a related word, "episcopacy, " which came out "epi-SCOP-a-see" (again, inferring "episode, " "epidermis, " etc., where the stress goes on the *third* syllable). Has DEARTH VADER ever been a theme answer—seems like you could do something with that. [The Force was really, really not with him?].

Rex Parker Does The Nyt Crossword Puzzle: Beverage Such As Huangjiu Or Cheongju / Sat 5 15 21 / Odorless Hydrocarbon / Overnight Trendy Breakfast / Mother Father Slangily / Incapable Fighter In Boxing Slang

I wanted the [High degree] (PH.D .) to be NTH, but that's the only other slip-up I remember. Oh, same section, I had some trouble with DEMO (short for "demolish"), as my brain wanted only RAZE, even though that's not an "informal" term (38A: Bring down, informally). If you don't know SYFY it's a good channel to commit to memory. I'd've been (briefly) lost without it in the NE. Thrilled to learn that PEZ were "originally marketed as a smoking cessation aid" (63D). Where was this useful information when I was quitting!? You know what my "smoking cessation aid" was? Crossword puzzles! I had no idea what you were supposed to do with your hands when you were sitting there drinking your coffee in the cafe in the morning, so ... hey, they have newspapers in this cafe, maybe I'll just ... hmmm, an empty grid ... well, *someone's* gotta fill it in." And off I went. And now off I go. See you tomorrow.

*kealoa = short, common answer that you can't just fill in quickly because two or more answers are viable, Even With One or More Letters In Place. From the classic [Mauna ___] KEA/LOA conundrum. See also, e.g. [Heaps] ATON/ALOT, ["Git!"] "SHOO"/"SCAT, " etc.SpongeBob SquarePants is a cartoon character in a Nickelodeon television series. Spongebob first appeared in 1999, and he “lives in a pineapple under the sea”. The character was created by marine biologist, cartoonist and animator Stephen Hillenburg.

The term “laser” is an acronym standing for “light amplification by stimulated emission of radiation”. It has been pointed out that a more precise name for laser technology is “light oscillation by stimulated emission of radiation”, but the resulting acronym isn’t quite so appealing, namely “loser”.

La Times Crossword Answers 10 Dec 2017, Sunday

Allstate is the second-largest provider of personal insurance in the US, after State Farm. Allstate started doing business in 1931 as part of Sears Roebuck, and indeed I can remember when Allstate offices were located in Sears stores. Sears spun off Allstate in 1993.

Tau is the 19th letter of the Greek alphabet, and the letter which gave rise to our Roman “T”. Both the letters tau (T) and chi (X) have long been symbolically associated with the cross.

“Erykah Badu” is the stage name of Erica Wright, an American “neo-soul” singer. Badu gained some notoriety in March of 2010 when she shot a scene for a music video in Dallas. In the scene, she walks to the spot where President Kennedy was assassinated, removing her clothes until she is nude, and then falls to the ground as if she has been shot in the head. For that stunt she was charged with disorderly conduct.

Rex Parker Does The Nyt Crossword Puzzle: Many A Marvel Character / Tues 3 28 23 / Wyatt Of The Wild West / Beverages With Tasting Notes / Bakery Unit / Red Gemstone

In Internet

Tau is the 19th letter of the Greek alphabet, and the letter which gave rise to our Roman “T”. Both the letters tau (T) and chi (X) have long been symbolically associated with the cross.

Rex Parker Does The Nyt Crossword Puzzle: Many A Marvel Character / Tues 3 28 23 / Wyatt Of The Wild West / Beverages With Tasting Notes / Bakery Unit / Red Gemstone

In Internet

body art by sue nicholson obituary template maker app

zientek April 19, 2023 Comment

Have arrived in the US from our publishing partner arnoldsche art publishers in Stuttgart, Germany. Order a copy on our website: http://browngrotta.com. Designed by Tom Grotta, with text edit assistance from Laky and Rhonda Brown, and featuring Tom’s photography and that of several other photographers, the book examines the career of renowned textile artist and sculptor Gyöngy Laky from three perspectives. First, is Laky’s personal story of immigration and education narrated by arts and culture writer, Mija Reidel. Second, is an assessment of the evolution and impetus for Laky’s artwork by David M. Roth, editor and publisher of

, a San Francisco Bay Area online visual art magazine. Third, are images of forms, vessels and wall works, 249 pages, divided into seven sections:

Laky has been described as a “wood whisperer.” Her highly individual, puzzle-like assemblages of timber and textiles helped propel the growth of the contemporary fiber-arts movement. Laky’s art reflects an extraordinary personal story: Born amid the bombings of World War II, escaping from post-war, Soviet-dominated Hungary to a sponsor family in Ohio, attending grade school in Oklahoma, studying at the University of California, Berkeley and in India, then founding Fiberworks Center for Textile Arts in the 1970s and fostering innovations as a professor at the University of California, Davis. And, since the late 60s, she has been creating individual works and installations in the US and abroad.

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Oeuvre, which reflects those experiences, “defies easy classification, ” writes David M. Roth. “It draws on the history of indigenous people using found or harvested objects to create art and basic necessities; the 20th-century tradition of using found objects in collage, assemblage and sculpture; and the design and engineering principles that undergird contemporary architecture.“ Symbols and three-dimensional words feature in much of Laky’s work— using wood in this way, Roth posits, is akin to learning a foreignlanguage, and Laky is conversant in more than a dozen, ”becoming conversant in the dialects‘spoken’ by each species.” Pieces like

Can be read in more than one way— in this case, as“Gal, ” a statement on the hiring of women faculty at the University of California.“[It’s] an intellectual kind of play, ”says Bruce Pepich, executive director and curator of collections at the Racine Art Museum, in Wisconsin.”It’s not aconventional sense of humor, but it’s the kind one gets from walking into various layers that existin objects …You can take them at face value, but the more questions you ask, the deeper your engagement goes.”

The bookprovides insight into Laky’s studio practice, activism, and teaching philosophy, which champions sustainable art and design, original thinking, and the value of the unexpected.

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(May 7 -15)browngrotta arts is delighted to introduce the work of two artists new to the gallery, Jennet Leenderste, Netherlands, US and Shoko Fukuda, Japan. Each of them creates sinuous and supple objects — Leenderste of seaweed and Fukuda of sisal, ramie and raffia.

Jeannet Leenderste crafted with fabric as a child. She studiedgraphic design in the Netherlands and at27left forNew York in search of an internship. After completingher degree

She moved to the Boston area and became an award-winning book designer. In recent years, has turned her focusagain to textiles. Having grown up on the Dutch shore, her fiber work responds to the rugged coast of Maine, where she now lives and finds sculptural forms in the landscape and its creatures. As an immigrant, she says, her Dutch culture and heritage are always with her, while she continues to make this new environment her home. Exploring theconcept of belonging, she develops work that feels at home in this marine environment. Adaptation and reflection are ongoing. Her fiber process brings these outer and inner worlds together.

Lia Cook Archives

, Jeannet Leendertse, coiled-and-stitched basket, rockweed [ascophyllum nodosum], sugar kelp [saccharina latissima] waxed linen, beeswax, tree resin, 11″ x 13″ x 5.5″, 2021. Photo by Tom Grotta

“My work grows from coastal impressions and material experimentation, ” Leenderste explains. “It takes on a new life when moved out of the studio and placed back in its natural environment.” That feedback propels her process. “I feel a strong responsibility to consider my materials, and what my creative process will leave behind. She began foraging seaweed—in particular rockweed—to work with, and discovered the amazing benefits this natural resource provides. “Seaweed not only creates a habitat for countless species, ” she says, “it sequesters carbon, and protects our beleaguered shoreline from erosion as our sea levels rise. Rockweed vessels show the beauty of this ancient algae, while drawing attention to its environmental value.” Several examples of Leenderste’s seaweed works will be featured in

Shoko Fukuda is a basketmaker and Japanese artist who holds a Bachelor of Design from Kyoto University of Art and Design, and a Master’s degree from Osaka University of Art, where she focused on research in textile practice. She has exhibited her work internationally for the past 10 years. Shoko Fukuda currently works as an instructor at Kobe Design University in the Fashion Design department.

How Ike Led

At browngrotta arts, we were recommended to Fukuda’s work by noted basketmaker Hisako Sekijima. “I encountered Sekijima’s artworks about 20 years ago, ” Fukuda says. “Lines made with expressive plant materials were woven into an abstract and three-dimensional shapes. I had never seen such small artworks, like architectural structures before. I have been fascinated by the structural visibility and the various characteristics of the constructive form consisting, of regular lines ever since then.”

Fukudaconsidered how to create a multifaceted form from a flat surface. By making corners, shapes are formed based on intentional decisions that lead to unexpected tortuous and twisted shapes. By weaving and fastening as if making a corner, a rotating shape was created. The movement of coiling creates a rhythm, and the lines being woven together leave organic traces in the air. In

Is made of cylindrical spirals stacked like layers. They were woven from different directions — up and down, left and right — to form a single piece. The work has a dense structure, dyed black and shaped like a tightly closed shell.

Lewis Knauss Archives

Fukuda is interested in “distortion” as a characteristic of basket weaving. “As I coil the thread around the core and shape it while holding the layers together, I look for the cause of distortion in the nature of the material, the direction of work and the angle of layers to effectively incorporate these elements into my work. The elasticity and shape of the core significantly affect the weaving process, as the thread constantly holds back the force of the core trying to bounce back outward.” By selecting materials and methods for weaving with the natural distortion in mind, Fukuda saw the possibility of developing twists and turns. “I find it interesting to see my intentions and the laws of nature influencing each other to create forms.”

As FineArt America says of“boat art”:”… whether you own a boat, grew up by the sea, or dream of sailing the wide-open ocean, boats have a way of making us feel a unique combination of calm and adventurous.”.

, willow bark and cloth sea charts from Greenland and Outer Hebrides, 79″ x 55″ x 12″, 1994. Photo by Tom Grotta

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Some, like Lawrence LaBianca, Helena Hernmarck, Chris Drury and Annette Bellamy, have referenced them literally in their work. Lawrence LaBianca creates experiences in which water is an integral part. In

Vessel filled with river rocks that makes marks on paper when it is afloat. Annette Bellamy has lived in a small fishing village called Halibut Cove right across the bay from Homer, Alaska and worked as a commercial fisherwoman. Off season, she reflects on her day job, creating porcelain, earthenware, raku-fired ceramic and stoneware boats, buoys, sinkers and oars that float inches from the floor.

Others, like Dona Anderson, Jane Balsgaard, Merja Winquist, Birgit Birkkjaer and Christine Joy, are moved to create more abstract versions. Boat is a part of new work of hers that is more angular, says Christine Joy. “The shape that occurs when I bend the willow reminds me of waves on choppy water, boats, and the movement of water.” Birgit Birkkjaer’s baskets contain precious amber that she has found washed up on the shore. The indigo-dyed baskets symbolize the sea that brings the amber to the shore – and a ship from ancient times, transporting the

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to the rest of Europe. Boats and boat shapes conjure thoughts of water as a natural force, a spiritual source, or a resource for which humans are responsible — and not doing such a red hot job.

, Dona Anderson, bamboo kendo (martial art sticks); patterned paper; thread, 15″ x 94″ x 30″ , 2008. Photo by Tom Grotta

Jane Balsgaard, bamboo, piassava, willow, fishing line, japaneese and handmade plant paper, 14” x 13.5 x 5“, 2020. Photo by Tom Grotta

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Experimentation can fuel creativity and spark unexpected results. At browngrotta arts, we are continually impressed by our object-making artists’ ability — and willingness — to reinvent themselves rather than remain in a successful, but predictable, lane.

Foremost among the experimenters was perhaps Ed Rossbach who tried unexpected materials and symbols in his baskets, vessels, and assemblages including plastic, cotton balls, cardboard and Mickey Mouse. When plaiting, weaving and lace-making had been thoroughly explored,

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zientek April 19, 2023 Comment

The world of augmented reality shopping may seem like futuristic sci-fi. But in reality, businesses are already using AR to sell products.

The AR market is still in its infancy, but it’s growing fast. Early adopters of AR have, in recent years, been gamers and those interested in the “metaverse.” But AR isn’t only for them.

Some 48% of respondents to a McKinsey&Company survey said they’re interested in using “metaverse” technology (i.e. AR and VR) to shop in the next five years. In turn, 38% of marketer respondents said they are using AR in 2022, up 15 percentage points from 2017’s 23%.

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In this guide, we’ll go over what AR shopping is, details about the AR/VR market, AR shopping trends to watch out for in 2023, and the best AR shopping app currently available.

Augmented reality shopping allows customers to virtually try on and test products through an electronic device such as a smartphone or virtual reality headset.

AR can either help customers feel like they are in a brick-and-mortar store interacting with products or show them how products will look in their homes or, in the case of fashion, on their bodies.

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As such, AR lends itself to marketer applications by allowing consumers to engage in pre-buying behaviors like virtually trying on clothing or makeup, or overlaying furniture into a living area to gauge its size and suitability with the rest of their home furnishings.

By the end of 2021, nearly two years into the pandemic, the US augmented, virtual, and mixed reality market was worth $28 billion and was projected to reach more than $250 billion by 2028, according to The Insight Partners, giving marketers and platforms good reason to invest in the technologies.

Companies like Meta and Google are trying to accelerate that trend by investing more in AR and VR tools—for example, Google recently acquired Raxium, a startup that specializes in smart glasses with new technologies that could greatly improve the prospects of Google’s previous (and current) Google Glass attempts.

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Newer smartphone cameras have also made AR shopping more accessible as they continue to improve hardware and software, enabling AR functionality across various apps. Consumer-friendly try-on options, paired with better technology distribution, make AR an increasingly appealing technology for marketers.

In this section, we’ll provide an overview of six different trends to look out for in the AR shopping space in 2023, starting with the most popular method of using AR technology: social media apps and camera filters.

Since the beginning of the pandemic, people naturally have spent more time online. As a result, brands have had to experiment and innovate to engage with them and encourage people to use their ecommerce and social commerce channels.

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This trend is not going away anytime soon—75% of the global population and almost all smartphone users will be frequent AR users according to Deloitte, and the majority are discovering AR through social media apps.

Some of the proponent mobile apps of using AR for brands early on were Snapchat and Instagram—allowing brands to create AR filters for their products for customers to use. For example, in a 2021 campaign, Christian Dior used Snapchat and Instagram AR filters to encourage “virtual word of mouth”—which received over 1.3 million impressions.

If you’re interested in trying out this trend for yourself, here are a few tips on getting started with using social media for AR:

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With that said, social media isn’t the end-all of AR—businesses have implemented the technology outside of social media, which we’ll discuss in more trends below.

The most obvious use of AR for brands is product demonstration, and it shows. Research from Modern Retail suggests product demonstration via virtual try-on and real-world overlay has seen the biggest increase in AR usage between 2017 and 2022.

Virtual try-on is perhaps most applicable in the fashion and beauty verticals. Across generations, over half of survey respondents were interested in using AR for trying on new makeup or hair colors and trying on new clothes, shoes, or accessories (from 57% of the silent generation all the way to 92% of Gen Z).

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An example of a brand using virtual try-on is Sephora, which is currently promoting its crossover (Sephora x Merve) by creating a lipstick try-on filter on Instagram:

This is a new AR filter, so there isn’t any public data (in terms of use by Instagram users) available about it at the moment.

Virtual try-on camera filters have an extra benefit for business—they can potentially decrease losses resulting from customer returns, since the customer has an idea of how the product will likely look on them.

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Similar to the idea of virtual try-on is the virtual “showroom.” As mentioned previously, this is the AR technology that allows customers to virtually place items in the environment around them (such as a living room).

The main difference between virtual try-on and showroom is the customer flipping the camera around. Other than this distinction in the way customers use the hardware, there isn’t much difference in the technology involved—which is good news for business owners.

Research we conducted last year, for example, found merchants who add 3D content to their stores see a 94% conversion lift, on average—and since there isn’t much difference between try-on and showroom style AR, the opportunity to use it is open to many verticals.

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Virtual showroom style filters/lenses are potentially the best application of AR for most businesses selling physical products—at least until better technology arrives.

Innovations in mobile technology, such as better depth sensing hardware (LiDAR and ToF), don’t appear to be slowing down anytime soon—as a result, each iteration of new phones becomes better equipped to handle AR features.

The predicted mobile AR market revenue growth over the next four years reflects these changes in technology—from $12.45 billion in 2021 to $36.26 billion in 2026.

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But it’s not just smartphones getting AR attention. As mentioned earlier, with better technology becoming more widely available, companies such as Google (including Android), Microsoft, Lenovo, and Vuzix are getting busy building smart glasses. Some even announced plans during CES (Consumer Electronics Show) earlier this year.

AR-enabled smart glasses may see some improvement in development next year, but we don’t expect them to be widely available in the very near future. So for now, the focus remains on mobile AR technology.

The main tip for thinking about mobile AR (and its improving capabilities) is the potential to develop brand-owned applications (for example, using Apple’s ARKit) for customers to see your products with AR, similar to IKEA building the IKEA Place app.

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There are two main methods of how AR mirrors work. The first is by using a digital screen with motion-sensor technology placed behind the mirror, then using AR to superimpose images onto the mirror in real time. The second method is by not using a real mirror at all, and instead using a digital display with cameras, similar to an extra-large smartphone.

Research from Snapchat suggests 21% of customers would go out of their way to visit a store with a smart mirror and 33% would use it in stores they already visit for trying on clothes. These figures decrease only slightly when it comes to trying on makeup or hair color (20% and 31%, respectively).

These mirrors can help shoppers when they’re in-store and either don’t want to try different makeup options or can’t because of newer COVID-19 policies.

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If you want to consider using AR mirrors in your stores, it’s worth considering the hefty investment it would take to roll them out across multiple locations—from the cost of the displays themselves to developing the software that goes inside them.

However, a good tip here would be to conduct a trial run by installing one in a flagship store and interviewing customers who decide to use it. Based on the results, you can decide if the investment is worth it for your business.

In the research previously mentioned by Modern Retail, all survey respondents said they mainly use AR for entertainment purposes. So what happens if a brand uses AR to make the in-store customer experience more entertaining?

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With 22% of Snapchat research respondents suggesting they would be interested in using AR to make shopping more fun, it’s worth considering methods for this use case. With this in mind, some brands have taken to using AR to gamify in-store shopping—which, for UK brand Tesco, has built brand engagement, brand loyalty, and longer dwell times with products.

Tesco decided to team up with Engine Creative to build AR experiences in the Tesco Discover app. While it works to help customers learn more about scanned products, it also gamifies the experience by having customers scan products:

The gamification can only be unlocked by scanning the physical product which brings to life the Big Night In family quiz. The game includes scoring, trophies, forfeits and social sharing”

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The concept of AR in-store gamification might seem difficult, but here are a few tips that could help you get on this trend:

The great aspect of this trend is that many younger customers will recognize the gamified AR concept from the popular mobile game Pokémon Go, and will intuitively know how to proceed after opening up the AR experience.

Amazon is one of the top

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At her predominantly white school in California, “I was a part of a small minority group of Latinos, and a lot of us looked different, ” Ariza told . “We weren’t petite, you know, didn’t have blonde, straight hair.”

Ariza was bullied again and again over her curly hair, her skin tone, and her weight. “I’d get called ‘elephant, ’” she said. One year, “there was a rumor that went around that I was pregnant, but I was just chunky.”

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Soon Ariza started skipping meals and taking diet pills. Sometimes she’d go days without eating. “I was so focused on how heavy I was, and I wanted to change that because I wanted to be like other girls, ” she said.

Ariza is 21 now, solidly part of Generation Z, a group that’s supposedly growing up in a better environment for body image than generations past. Today’s teenagers and 20-somethings can follow influencers and writers like Gabi Gregg and Aubrey Gordon who dismantle fatphobia and show what it’s like to be confident and joyful at a variety of sizes. Popular brands like American Eagle offer sizes 24 and beyond, advertised by models and activists like Saaneah Jamison. Once a radical movement, the term “body positivity” is now mainstream, espoused by celebrities like Kim Kardashian and Jameela Jamil. With a little curation, you can fill up your Instagram feed with messages of self-love and health at every size.

But as Ariza’s experience makes abundantly clear, bullying over weight and appearance is far from a thing of the past. In some ways, it might be worse now: The sheer number of images young people have to deal with every day has multiplied a thousandfold, and those images are often manipulated with Photoshop or filters that create a homogeneous appearance that’s unattainable for many people. “They manipulate your features to become Eurocentricized, ” Reanna A. Shanti Bhagwandeen, a freshman at Bates College, told . “It gets rid of, I guess, me.”

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Meanwhile, many young people today say the term “body positivity” has been coopted by thin, white, or light-skinned celebrities and influencers — the same people whose looks have been held up as the beauty ideal for generations. What’s more, some of those influencers celebrate features once stereotypically associated with Black women, like full lips, even as Black women themselves remain discriminated against for their appearance.

Given all this, perhaps it’s no wonder that Instagram apparently makes body image issues worse for one in three teen girls, according to Facebook’s internal research. Or that eating disorders, far from disappearing with the advent of body positivity discourse, are actually on the rise.

Indeed, the history of body image and appearance culture in America over the past 40 years can feel like an endless dance: two steps forward, two steps back, with little progress in any direction. Where once beauty standards were enforced by a handful of magazines and consumer brands, that enforcement has now been outsourced to individual users of Instagram and TikTok, who have more than filled the void of “aspirational” images that require extensive body modification to achieve. And those who have always profited from people’s insecurities about their bodies — namely, the weight loss and cosmetic surgery industries — are making more money than ever.

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Breaking that cycle is easier said than done. But young people and educators say what’s needed most at this particular stage in the body image wars are guides to help people navigate the torrent of information they now get about their appearance. Teens and kids especially need regular education about “social media and what healthy relationships look like, and what body image means, ” Pascale Saintonge Austin, who oversees the Just Ask Me peer education program at the New York nonprofit Children’s Aid, told . “There just needs to be more of a conversation with our young people.”

Debates about body image in America go back long before today’s millennial versus Gen Z divide. Indeed, the ideal of thinness first came to this country through the European slave trade, according to Sabrina Strings, a sociology professor at the University of California Irvine and author of

. Beginning in the 18th century, Europeans were looking for ways to draw distinctions between themselves and the people around the world they had enslaved and colonized. They could no longer rely on skin color alone, since generations of rape by colonists had led to a wide continuum of skin tones among people that European powers still wanted to control. So they started talking about weight.

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The cover image of Sabrina Strings’s book is a 19th-century illustration by Sebastien Coeure that depicts Saartjie Baartman. Baartman was an enslaved woman whose physique was displayed in exhibitions in England and France. NYU Press

Europeans, primarily the French and English, began making the racist and pseudoscientific claim that “Europeans have a great deal of self-control, ” which gave them the right to manage not just themselves but others, Strings told . By the same token, they claimed that Black people couldn’t control their appetites, loved food, and tended to be heavier. “This began the whole idea that Black people, as a race, were prone to what was considered a low form of corpulence that should be avoided, ” Strings said.

These ideas took root in the US in the early 19th century and sparked a movement to “push for thinness as evidence of racial propriety, and also Christian propriety, ” at a time when white Protestant Americans were responding to increased immigration from places like Ireland with anxiety and xenophobia, Strings said. The racialized ideal of thinness faced pushback from its inception — “we can start to see some people questioning these ideas even as they’re being promoted, ” Strings said. However, the coordinated movements toward body acceptance and against fatphobia that are better known today didn’t begin until the 1960s and ’70s.

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In 1969, Bill Fabrey and Llewelyn Louderback founded the National Association to Advance Fat Acceptance (NAAFA) in response to weight discrimination their wives had faced. In the 1970s, two members of the group, Judy Freespirit and Sarah Fishman, created the more radical Fat Underground, inspired by feminist and queer activism. Black writers and activists were also linking weight discrimination and racism, as Briana Dominici notes at Zenerations. “I’m a woman, ” welfare activist Johnnie Tillmon wrote in 1972. “I’m a Black woman. I’m a poor woman. I’m a fat woman. I’m a middle-aged woman. In this country, if you’re any one of those things you count less as a human being.”

Despite such bold statements of the problem, the racial politics of fatphobia got less attention than the connections between gender discrimination and misogyny, Strings said. And overall, American culture was slow to change.

, told . In that pre-social media era, beauty “was dictated kind of top-down by mega-conglomerates” that would anoint celebrities from Cindy Crawford to Christy Turlington to Gwyneth Paltrow as the ideal du jour. “It was always aspirational, and it would always be people who were unbelievably perfect, ” Meltzer said. And perfect, in those days, meant thin.

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Back row from left, models Linda Evangelista, Cindy Crawford, Lauren Hutton, and Beverly Johnson; front row from left, Christy Turlington and Naomi Campbell in 1993. Frank Micelotta/Getty Images

It was the age of Jenny Craig, the weight loss empire founded in 1983. It was the age of Oprah’s famous wagon moment, when the host wheeled out 67 pounds of animal fat to represent her recent weight loss (she later said she’d lost the weight by eschewing all solid food for four months). It was the age when what passed for body diversity was putting a model who was maybe a size 4 instead of a size 0 on the cover of Seventeen magazine, as Anne Helen Petersen recently recalled — and some readers still wrote in to complain that the model was too fat.

Was also a booming business. In the early ’90s, Jenny Craig was bringing in more than $400 million a year, with a big chunk of that channeled right back into advertising. Ads for diet supplements and other weight loss aids — along with ads featuring very thin women selling all manner of products as a path to an impossibly narrow beauty ideal — boosted magazines’ bottom lines as advertising revenue soared during the 1990s.

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The monoculture enforced and policed by media and diet companies, of course, didn’t affect everyone in the same ways. Black readers of teen magazines, for example, were more likely to critique teen magazines and less likely to see them as representations of reality, Petersen wrote. At the same time, Black Americans and other Americans of color were affected by the ideal of thinness put forth in such magazines even if they didn’t personally buy into it. The same racist ideology developed to excuse slavery

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